beautiful limited white colored sealed 12 vinyl. williams latest sounds like the follow up to ravels bolero with patrick cowley on production duties! frisvold & lindbaek join the after studio orgy party with a dirty dubbed out groove and a soft warm bottom. gatto fritto dives in and spikes the punch with some class a luvved up hedonism. finally, simon hold takes us to the limit with his >basic instinct< remix.

features a wide variety of sounds and international talent from san francisco to canada to germany to brasil. but even though it showcases a very international roster, each track has that special freaky spark that makes it work on dirtybird.

with safer 001 davis links to details. house music which sounds like the fulfilled promise from 1992. music that has grown up and hasnt suffered any loss of its beauty. vocals which make you want to shout pop and carry a groove in the heart that has never been more challenging.

we present the first in a series of re-issues with >a deeper ground ep< by repeat orchestra, originally released in 2000. needless to say, it sounds no less fresh ten years later. the four-track ep is the work of stefan schwander under the repeat orchestra name. in his repeat orchestra work, schwander distills the finest elements of detroit techno and chicago house into a sleek hybrid that honours its roots while casting its gaze upon the future.

going home late one foggy night in london, i turn the corner to see my bus waiting at the bus stop, lights on, doors open, completely empty. i get on the bus and wait, a few minutes later the driver gets on, he was hiding behind a tree. now i always call it the ghostbus. stopping and starting, traveling along are the landscapes of sound recordings, perfectly balanced between synthetic and abstract layers of sounds. ghostbus invites you to travel along an electronic road of pulses and distortion, a travel between vintage and modern atmospheres, shifting into automatic vintage synthesis gears, a journey into the dark and cold nights of london. samp gives this music his trademark ambience in confined spaces sound, helped along by nax_acid both in collaboration and with his own edit version

claremont 56 goes back to its balearic roots with a 12 inch that fills you with wonderful summertime feelings. >mudd & pollard - vincent< is a lush rhodes driven groover with a bass that sounds like its been played bernard edwards of chic fame. on top of that is a multitude of analog synths that bathe this beauty in warmth & loveliness. mark e continues his rise to the king of all things midtempo with one of his best remixes to date. what a great way to kick off the summer...

ultraphat prime time techno, sounds like a harder brother of pan-pots >confronted< on mobilee 054!! just a killer

royal oak with futuristic house sounds from one of hollands longest running house producers gerd. some gorgeous warm rhodes driven tracks with interstellar melodies. two tracks that sound like a stream of fresh air. friendly fire has an incredible drive with its warm rhodes chords and a deep sub bass. unique track that gives the traditional house ingredients a twist. vibration on the flip (which is actually a studio jam with the friendly fire parts) goes in a slightly slower house pace and is combines bleepy melodies with a deep powerful drive that reveals its nature once played out loud.

incl ron flatter rmx!! das neu gegründete label mittel zum zweck releast dieser tage die erste vinyl. aconite, cert-8 und dj steven-x sind die macher und väter dieses projekts. nachdem sie bereits letztes jahr eine gemeinsame tour mit 19 terminen absolvierten, folgt nun das eigene label. ohne viel schnickschnack soll es sein, deshalb trägt nicht nur das label diesen namen, sondern auch das musik-projekt selbst. der titel >kankar punsum< war schnell gewählt. es ist der name des höchsten bislang unbestiegenen berges der welt. die drei jungs von mittel zum zweck wollen diesen nun musikalisch erklimmen und stellen sich in der heutigen zeit großen herausforderungen... um das packet abzurunden, haben sie sich ron flatter mit ins boot geholt, der einen amtlichen remix anfertigte, der ebenfalls wie die drei anderen mi xe durch feinsten tech-house und minimal-sounds eine heiße electro-nummer abliefert

nice price deal !!! litd 10 inch , with free jazzy sounds

1979 disco sampler on paul winleys imprint, featuring funk, soul, jazz, latin sounds that make the disco go wild.

acid and techno tracks from the files of mauser. he is straightup representing chicago techno that moves heads and dancefloors.
blackman: begins with a jazzed out acid house beat and progresses into a journey of ryhthms. the appregiated melody lines, bring out your inner jack as the acid lines sneaks up on you so sweetly. yes, i m jacking to the pulse with the four on the floor!
dancin: previously released on the digital only >jack pulse ep< (synapsis002), dancin is built on a melody line that constantly filters together with sparse sounds and vocals that say, dancin. what an acid banger, seriously you will start dancin.
binary: a video game synth is abundant in this track, mauser turns this sounds into a jacking melody. i m appreciating this chicago techno story. bounce, bounce, bounce.
regenerate: says, >time for the techno beatdown<. mauser shows us his love for techno as regenerate moves and bangs.

thirtyonetwenty is the international dialling code to reach amsterdam. its also the name of amsterdams hot label run by sandy huner, who co-founded techno imprint 100% pure in 1992.
for the 13th release on thirtyonetwenty we welcome gabriele baldi, a young, talented italian whose recent release on label bitten got heavy play from top djs such as oxia, ricardo villalobos and 2000 and one, causing havoc on the dancefloors.
gabrieles passion for music began at a very early age, from piano to rock, blues to soul, funk to 80s … his evolving eclectic musical background provides him with the foundations for his productions now – heavily influenced with deep, house and acid-funk sounds.
this time he is back with two grooving funky (tech) housetracks >all i want< and >crash love<. amsterdams own tom ruijg (bangbang!) finishes it off with a deeper house-take of >all want<.

minority boss hector moralez teams up with life long friend oscar miranda for a belting 3 track ep on minority. >last of an era< has a killer bassline and a hypnotic vocal that will keep the floor moving all night. >for realz< is on the deeper tip and the boys uses spacey keys & trippy vocals to devastating effect. last but not least is >about time<. this sounds like derrick carter style beats meets a mood ii swing style bass line, nuff said. boom!

long term friends ramadanman and midland partner up for their first joint ep >your words matter / more than you know< on aus music. together they produce a truly innovative sound – fusing the sounds and vibes of classic house and garage with the sub frequencies and aesthetics of dub step to create something completely fresh.

new hit for australian band, 2009 revelation. after the success obtained with >sweet disposition< (2 in music control chart for 2 weeks), here is a new dancefloor hit, with their music contaminations. elektronic.pop...progressive rock sounds! summer hit!

great vocal house release + sax sounds. coming from hed kandi / ministry of sound !containing funky + elektro versions & the esquire remix.

allen saei aka aubrey has over 22 years hands on experience of the scene. his dj career took him from his first residency in portsmouths central park, to playing londons biggest raves and parties in the 90s. launching his own solid groove records in 1990, aubreys career went from strength to strength. releases and remixes followed for labels including sublime, the end, ferox, mosaic, reel, intec and leftfields label, offshoot. his material was licensed by derrick may, terry francis, pete tong and carl cox. today he steps up with high pass highway ep. a selection of sounds, all with that oldskool touch and feel.

this scottish producer puts trapez ltd again on the techno map. after a couple of more housy releases on trapez ltd this release is a tougher one.&#8232,,circular star works techno a bit in a post detroit fashion... the sounds smells of industrial sites, burned rubber and has that certain sexy machine rhythm to it which we always felt was the jeff mills factor. they have little glamour about them, they are true and a direct force.

demdike stares debut album >symbiosis< was released in late 2009 and explored sean canty and miles whittakers interest in re-appropriated found sounds of all colours and origins. fast adopted into the >hauntological< canon, the album evoked the noises and spirits of distant yet oddly familiar locations.

and.id is an artist whose musical talents are impressively far-reaching, as his recent installment of the back to back series with jazz interpretations of mobilee classics powerfully brought to everyones attention. after a long spell in the studio with his b.a.n.d and a variety of instruments, and.id has gone solo for his next project, i will be there, and hes taking us back to the dance floor where he is equally at home, as his other releases on mobilee such as first talk have shown. title track i will be there lands heavily with a punching kick drum and there is little release before the bass and groove come in, meanwhile b1:five brings back and.ids signature jazzy sounds with some melodic pianochords. b2:erotica brings all of the elements together with a strong melodic bass line and punch kick, making it the stand out track of the release. tthere is something for everybody in this package and it will definitely get you moving….enjoy!

truly beautiful deep house records are things to be treasured, akin to proper songs that will last the test of time, not made to meet a fleeting fad. this is one of those records and a real pinnacle & departure for blm & pawas. although the term deep is an oft overused one, >waiting game< personifies the genres true key traits with a subtly moving groove that gradually builds, using layers of subtle percussion and a rich, warm synth motif to make a rich tapestry of sounds before finally introducing the beautiful female vocal that gives the track its name. patrice scott liked the track so much that he agreed to remix it - his first ever outside of his own, excellent, sistrum label. using plenty of the original track parts but taking it a different direction, patrice really has come up with something special. the track moves along with snippets of the main vocal and clever use of the main synth, the groove being underpinned by patrice s classic sense of production before moving into a more classic >detroit< ending - a mindset with a bigger, more dramatic sensibility

move ground basiert auf einem soundtrack f?r eine audio-visuelle installation, die ihre premiere beim dritten h®rkunst festival in erlangen hatte. andres krause lie? sich dabei durch akustische eindr?cke und einfl?sse diverser locations in k®ln und umgebung inspirieren. atmosph?rische und experimentelle electronica-sounds vom feinsten.

first on decks.de !!! after his big releases on fine audio, perc trax and driving forces now the follow up 3 track sampler with energetic, tribal and psychodelic sounds on that powerfull and young label plattenbau-music. including tonkberlin remix!! played by: paco osuna, oscar, oliver klein, microtrauma, mentalic, glanz and ledwa, dj misk, ascii disko and many more

irelands finest is next up on baroque.. dibby dougherty has crafted his deep house sounds, with his releases on labels such as audio therapy, global underground, dyami & of course baroque.
this latest offering gives his signature deep sounds, with sampled vocals & a cool hook line, and paul jackson on the remix duties who provides a driving peak time monster.
a massive package for miami..

yippee!!! back in stock !!! more pacey dub sounds from men at skudge.... tough and direct. tip!

for their 3rd release well rounded bring you the imaginative and playful funky-influenced house sound of hackman. this ep is packed with punchy & polished productions and adventurous arrangements. we have curated 3 tracks that we feel demonstrate the breadth and potential of this exciting young producer based in leeds, england. on the a bodies is an ecstatic piano-driven belter with immediate appeal. the 4/4 drums drive hard, funked up with supple bass flexations, then punctuated with classic chords and catchy vocal cut-ups. what sounds simple here is carefully considered. a brilliantly constructed, exciting and peak-time melodic banger! on the flip surround leads the listener into more tropical terrain

gui borrato / kid gloves / compuphonic remixes
launching into summer with the swirl of a bundle pakistani kites come two new 12” releases of arsenal - first up is estupendo, that sounds like a pastel tinted rival to mgmt’s electric feel.

toller erster longplayer aus dem hause giegling. handmade artwork. sounds von techhouse bis triphop, club bis listening und immer großartig!

throughout the years the hardcore sound has evolved into a todays sound of mature beats and distorted sounds. as the level of quality keeps continue to rise, its harder these days for new breeds to make a breakthgrough.
in hardcore everything depends on delivering quality records in order to get your name out there. with derailed traxx black we offer a platform for young talented producers to showcase their skills and have their claim to fame.
d-version is such talent. a dedicated hardcore fanatic with fresh sounding producing skills. after releasing earlier work on several other labels, this new 3 track e.p. is his best release tod ate.
the more than music ep contains 3 mainstream hardcore tracks with a party gesture! already supported by the biggest radio stations like: masters of hardcore radio, kutski (bbc radio 1), thunderdome radio and more ...

following a string of contributions for kompakts pop ambient series jens-uwe beyer aka popnoname joins the kompakt pop stable with a truly remarkable tune that is destined to bring him to a broader audience - hello gorgeous finds itself somewhere between the classic sound of kompakt and the pet shop boys. hello gorgeous sounds likes it was produced in lavish place where rave and indie meet on the dance floor. and all throughout, the song is harmoniously carried together by beyers powerful vocals. popnoname provides a upbeat le klub remix tightening the techno up a notch or 5. the big news is that terranova step in for remix duties - legends in their own right fetisch and me have been an institution in the music scene since the 80s so we are excited to have their exceptional contribution - they turn hello gorgeous into a cracking jack house number.

secouer is a record label with an international distributor, and born like the home of the orchestral with old groove and house secouer records born in 2009 behind the research work of the most diverse currents of music. the need to explore this genre arises from the idea to give a dress at the electronic scene. jazz becomes the means for a reconfirmation of the world of house most virtuous, not forgetting to accommodate the new sounds of the international scene. so the founders decide to explore this genre that combines dance with a fine ear for good sound not generalizable. only the bpm jazz or funky or orchestral can make the difference, which can give to house a dynamic and more human

nice price deal !!! idiot is already something of a hit with those whove heard it being played out, combining hard soca drums with lush ecstatic melodic synth harmonies and a driving bass with a strange 8-bit melody that stumbles and trips around the rhythm. its completely alien at first, but potent enough to stick in your ears until you might catch yourself humming the refrain when you least expect it. a unique and fantastic combination of compelling contemporary sounds! altered natives, aka north london producer danny native, whose track >rass out< was one of 2009s best, takes over the b-side with a remix that seems to reflect 20 years of british house music back on itself. just using the bleeps from the original tune, he echoes and morphs his own melody over stepping dubby kicks and snares and a dark, driving bassline

first on decks.de !! dilek records is presenting its seventh reference and introduces two talented and highly qualified artists coming straight from the province of cordoba in argentina, we are talking about martin huergo and andres oddone. this multi ethnic release also includes a remix of the well known chilean artist pier bucci, who participated in this new work full of intense feelings, like everything we do at dilek. martin and andres are producing together since many years, and they seem to have found this special something that makes them choose the perfect balance for their productions. its a mix of mystical sounds all coming from foreign cultures and different influences. every one of these tracks have to be listened carefully because these sounds are definitely not more of the same stuff, they have that certain something, they are classy and yet contending.

the music for dreams label boss/dj/producer drops this limited edition 3 track ep. the bumpy electronic club groover fragment 31 (kaos)(bager vs zohdy mix), the dubby, slick & laidback vocal cut fragment 13 (go underground) which has a vocal that sounds a lot like justin timberlake, and the pilooski dub of fragment 8 (sound of swing). 2010 is kbes year!

mikael the skull stavöstrand is one of the better known artists in the swedish techno scene. deconstructed sounds, experimental tones and minimal changes are the base of his comprehensive works

when it comes to offbeat raw detroit house music you cant really mess with omar-s and his fxhe label. on this new double pack hes keeping it in the family with his cousin big strick providing us with 3 fresh tracks and omar-s treating us to his versions of his cousins tracks. both twelves flow nicely, mixing up early chicago sounds (think virgo, larry heard) with some uber-crisp drum programming from strick and omar-s. fans of big stricks 7 days ep will not be disappointed with this. six tracks filled with raw grit and jacking rhythms, house heads should definitely pick this up.

ferrispark records has always been known for its devotion to unique and soulful releases heavily influenced by the deep sounds of detroit and chicago. carrying on in the same manner is scott fergusons, disco and deep house infused, >midwest born & bred ep<. the first mix of >keep on lovin me< mixes dirty detroit rawness with chi-town acid to get dance-floors stirring while the second mix is more reminiscent of mid-90s nyc and chicago house. in the late hours of the night, flip the record over for the seriously grooving, slow, deep, and druggy, >staggerin & stumblin<.

herman is probably the coolest artist name we have heard in a while.. so unsexy and very unlikely that its not someone s real name... but stuart li must have had a laugh about it with some friends and some beers! stuart li aka basic soul unit aka herman starts this project for his production that one would not directly link to his chicago house rooted basic soul unit releases. herman delivers two hot tracks with dubstep fueled beats, sub bass driven grooves with detroit influenced sounds that one could expect on a label such as hessle audio. title track prototype is total killer which goes into the direction of 2562 and martyn. april skies sound like aril brikha meets 2562 meets basic soul unit. hot release!!

here is finally the first single from yakine, a close member to the eklo family. after his featuring on the hooksey vol.1, he gave us four tracks which he worked specially for this ep. yakine explored a new sound, some more melodic and deeper works, different from his usual stuff. captor of sin, the main track here. we find yakine in a more pop dimension with the vocals. the metric rhythm is mix it up with sub and perky shuffle grooves, everything harmonized through a lead ambiance made of weird synts & pads. then shirp, lead from synths, the track go on in the same vibe, more excentric and percussive, rounded beat, and a slap bass, 80s funk type. on the flip, temptation, a more singular track, a great detroit techno influenced, with his unusual keys and some indus sounds. the story ending with aferone, a deep and sensitive balad, overhang by a poetic piano coming and going all along. solid and versatile 12 inch.

philip bader und nico stojan verbringen ihre zeit im studio verdammt effektiv. was die beiden beizusteuern haben ergaenzt sich grandios. philips leichter hang zu verklöppelten latino styles und nicos verständnis für rhythmus und breitflächige baesse fügen sich ineinander zu ganzheitlichen und satten sounds.

>hollow hills< keeps the psychedelic side of riley reinholds music up, which he has released since his first release on disko b in 1995 (red flare ep). jittering voices, sounds that ricochet and basslines that come like little earthquakes. the 11 minute epic >hollow hills< works similar to the waves at the beach, constantly featuring irregular shapes and never repeating itself. the track has been remixed by french artist gohan, who lives in paris and who has electrified the track with his vision of modern daring electronica, bordering on music the glorious wishmountain did in the past. finally domestic musical impact comes from the cologne musician oeler who has made a tougher and more elaborate percussive beat, the core element of his interpretation of >hollow hills<.

back in stock !!! crash test is a long player, a four to the floor album that can be listened to from start to finish. an organic sequence of shifting moods to sublimate existing minimal house or techno paradigms. the lp is shaded with bass weight: a reflective, meandering interpretation of the grooves that have always inspired buttrich: echoes of hip hop, jazz, reggae and soul. emotive tangents hover, punctuated with found sounds & textures recorded in public spaces. / deluxe gatefold coverartwork incl free download code (free access for the hole album and bonus tracks...)

>chaotisch serie< kicks off with a human sound that could only be composed deep in your throat, a sound that can hardly be described in words... rough and smooth at the same time... screaming for help it seems. then suddenly metallic sounds delay and tumble in... turning into an army of steel beetles swarming the place. plunging into a sweet melody that contorts being followed by trippy delays reminding us of the opening sequence of >the hunger< with catherine deneuve and david bowie at a bauhaus concert, we know this track will be huge.

a pair of bangin tribal cuts from brothers vibe on the first release on the mixx label. >conga terado< is all about the beats, with a solid kickdrum laying the foundation for some killer tribal beats and percussion. nothing else used here, its just bangin beats all the way. on the reverse, >slave to the rhythm< opens with a thudding kickdrum alongside some filtered synths and a stabbing vocal before the tribal gear comes into play. again, no bassline here, just layer upon layer of percussion and drums. should be perfect for the pro jocks amongst you to tool around with.
attention! low pressing quality - crackling sounds!

orphx returns on sonic groove soon again after last years widely acclaimed “division ep” which was charted by many top techno dj’s. their newest release “black light” will once again explores the dark deep dublike sounds of techno.

sweet 4 track ep by this newcomer... 3ear has a great ear for new artist! sarrass is hailing from the south-west of germany. he began his musical career by studying trumpet and piano and performing in small classical and jazz groups. later, after learning about klaus schulze he got in touch with techno which has (as we all know) a huge impact! he debuted release on compost black with the >home at the sea< ep. third ear discovered him and signed this sweet 4 track ep! a nice blend of detroit techno with abstract electronical sounds as being used by klaus schulze and the early german pioneers and contemorary house. great modern club tools with a nice personal twist! check!

lunar disko records presents a stunning debut ep by texas producer, submersible machines. five beautifully crafted electro-techno tracks for lovers of the deep... the tranquil >upwelling< introduces the ep, deep pads, warm melodies, and supreme 808 programming prevail this outstanding opening track. >when whales fall< submerges you into even more mysterious melodies and curious sounds from the deep. the aquatic >blue hole< concludes the a-side, delicate twinkling melodies, precise 808 beats, and an analog acid bassline which will have you lost on a journey into the depths of the oceanic abyss. the flipside offers two more cuts of equal quality from this new talent from the third coast... >braving the benthic< opens the b-side with its bubbly and pulsating bassline, while expertly blending more intricate analog sounds to create another timeless track. finishing the ep is >cold seep<, combining both the 707 & 808 to brilliant effect alongside an inducing chi-town bassline, and a deep mysterious string which sweeps over the track perfectly...

we have never done a project like this before where the artists choose all the remixers themselves. but for the crazy italoboyz album >bla bla bla< we found ourselves not really knowing what to do. so instead of forcing our own ideas for remixers we went back to the source and let the artists run wild on the a&r. marco and fede commissioned all the remixers themselves. the producers they chose are a very diverse bunch and the vinyl 12inch takes a sampling of the best material from two very big underground names. on the a-side das kraus duo turn it a super jackin yet also very haunting rendition of >oh mio dio.< it sounds like pitched up chicago house meets demon days. on the b-side old school master dandy jack turns in one of the oddest records ever on mothership with some unusual sound design, voices and semi-dischordant note runs. super weird for the super weird! whatever you think of this odd lot no one can deny these remixes definitely carry the indistinguishable mark of that ever so quirky duo, the italoboyz